INTERSTLLR covers Leonard Cohen’s LOVER LOVER LOVER for HERO HILL - Free Download Here

INTERSTLLR covers Leonard Cohen’s LOVER LOVER LOVER for HERO HILL - Free Download Here

the illegitimate love child of Portishead and The Weeknd
April in the Royal City
First night of the festival: Cadence Weapon, Tops & INTERSTLLR

April in the Royal City

First night of the festival: Cadence Weapon, Tops & INTERSTLLR

March 17 2012 in Hamilton with Bocce and Defcon
Poster by Kemino

March 17 2012 in Hamilton with Bocce and Defcon

Poster by Kemino

Our Dreams Are Here - new INTERSTLLR single released Jan 1, 2012.  FREE DOWNLOAD on the INTERSTLLR Bandcamp Site
Thank you Kristen Blow for the salt-encrusted cover photo

Our Dreams Are Here - new INTERSTLLR single released Jan 1, 2012.  FREE DOWNLOAD on the INTERSTLLR Bandcamp Site

Thank you Kristen Blow for the salt-encrusted cover photo

Is There Thunder - lyrics

Is There Thunder - lyrics

Mercy Me - lyrics

Mercy Me - lyrics

Devil Go Light - lyrics

Devil Go Light - lyrics

Love Sit Down - lyrics

Love Sit Down - lyrics

Your Name - lyrics

Your Name - lyrics

Tuesday night rap show in the Tibet of North America

Tuesday night rap show in the Tibet of North America

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exclaim! Review

ADJECTIVES AT WORK: Hypnotic, airy, pleasant enough, intangible, vague, sleepy, striking, fantastical, trippy, surreal, philosophical, cerebral, skittering, interesting, memorable, dazed, intriguing

I LOVE

“one of my favourite new indie electronic discoveries. The duo of Koko Bonaparte and Mad Adam are from Guelph, Ontario. I love that even with the most inorganic sounding electronic sounds you get a sense of tension and emotion.” - ridethetempo.com

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Royal City Scene Interview: Portishead and Production Method

“With the mid-summer release of INTERSTLLR’s self-titled freshman EP, the next generation of musicians will undoubtedly count Koko Bonaparte and Madadam as inspiration.” - Allyson Cooper, RCS

Royal City Scene: Explain your creative process.

Madadam: I like to sit in front of the computer screen until my eyeballs get dry and sore, then I take a break, get some eye drops, if it’s that bad, and maybe I have a glass of water, then I get back to it.  I play around with the beat until it has that feel that I’m looking for.  I’ll start with a drumbeat and then chop some samples over top of it, or visa versa, but there’s no set formula.  I find that most of my beats just make themselves.  I guess it’s best described as sculpting.  You get a general loop going with all the chopped samples and the drum beat, and then start chipping away at it until it really hits.  I use software as opposed to an MPC, so there’s a visual element to it.  I can see every thing notated on a grid.  I used an MPC one time.  I was like the kid who can’t figure out how the toy works and so throws a temper tantrum.

More at Royal City Scene